el vito lyrics obradors

La mi sola Laureola La mi sola, sola, sola. Olga Borodina Moi genie moi angel moi drug. No. Sign-in or Try it free for 3 months. Una vieja vale un real y una muchacha dos cuartos, [y yo, como] 1 soy tan pobre me voy a lo más barato. Another example of a translation from guitar to piano. Then there is a break in the dance again when the piano has its little interlude. This really highlights the fact that the guitar is so important to the entire Spanish Art Song genre. the information here useful, please consider making a Y yo, como soy tan pobre, Me voy a lo más barato. None [force assignment] Movements/Sections Mov'ts/Sec's: 7 songs: La mi sola, Laureola Al amor Corazón porque pasais El majo celoso Con amores, la mi madre Dos cantares populares Coplas de curro dulce First Pub lication. (Did you know you can help support us by turning off ad-blockers?) I enjoyed the rhythmic energy and drive of this music. Another thrilling piece that keeps you on the edge of your seat! by Anonymous / Unidentified Author&emsp13. I really can imagine a woman in a sea of bullfighters. The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece. Con Amores, la Mi Madre Fernando Obradors, Michel Tirabosco, Nathalie Chatelain. That was immediate impression I got after hearing this recording. It was created in the nineteenth century as a dancing song typical of the bolero.Includes steps of the art of bullfighting and is usually played by women. Although the piano version is exciting, pianists should really emulate the guitar which it is obviously modeled after. And I really like Teresa Berganza's facial expressions and body language in here. by Fernando J. Obradors (1897 - 1945), "El vito" [ voice and piano ], from Canciones clásicas españolas, vol. ), choral pieces, and other vocal works set to this text), listed by composer (not necessarily exhaustive). 1: No. Whenever she executes a melismatic portion on “ay”, I can’t help but feel an guttural, internal wail—which I’m sure is what the composer had in mind. This piece is so passionate. Aix-en-provence festival 18 July El Vito. PLAY FULL SONG. I am LOVING listening to Berganza. I really liked the different articulations that were used in the work as well with sections being more legato and others that were more snappy! 01. The melodious note arrangement of El vito ranges from pianissimo (very soft) mellow notes to forte (loud) notes carrying the player and the audience through an array of vivid emotions. I love the, as Abby put it, crispness of this piece and I love the way it exists intimately with the passion. Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired. ... La mi sola, Laureola La mi sola, sola, sola, Yo el cautivo Leriano Aunque mucho estoy ufano Herido de aquella mano Que en el mundo es una sola. Vol.3 I-Catalogue Number I-Cat. The drama and excitement is gripping and very much sounds like something that would appeal to bull fighters. Sunday, March 22, “El vito” by Obradors. The guitar figures are apparent in the piano accompaniment. Share. I wonder if the quickly repeated notes (that are so difficult on the piano) are an example of "punteado" as was described by Kimball in the reading. Con el Vito vino, Con el Vito va. ¡Ay, ay, ay! Title Aire popular andaluz, arreglado para canto y guitarra Composer Damas, Tomás: I-Catalogue Number I-Cat. The relatively lenghty prelude is really carried by the repeated notes in the piano. Yo no quiero que me mires, Que me pongo colorá. "Cancion de cuna para dormir a un negrito" by Mon... Dmitri Hvorostovsky. No. Music Video. She communicates so much with just her eyes. 1. Composer: Fernando J. Obradors (1897-1945) Teresa Berganza, soprano; Felix Lavilla, piano Aix-en-provence festival 18 July 1964 El Vito Text: Anonymous Una vieja vale un real y una muchacha dos cuartos, [y yo, como]1 soy tan pobre me voy a lo más barato. El Vito Alt ernative. Yo no quiero que me mires, Que me pongo colorá. Its name refers to Saint Vitus, patron of dancers. All materials found here are for educational purposes only. The typical costume includes jacket and brimmed hat. No. It embodies so much of what one expects of the "Spanish" sound. Ah~ Ah~ Ah~ 요 노 끼에-로 께 메 미-레 께 메 뽕-고 콜로라아~ 아아아아아 Con el vito vito vito con el vito vito va. 꼰 엘 비또 비또 비또 꼰 엘 비또 비또 바 by Fernando J. Obradors (1897 - 1945) Word count: 280. Obradors, Fernando: Opus/Catalogue Number Op./Cat. Refrain A lady from Málaga went to Seville to see the bulls And halfway there The Moors captured her. Word-for-word translations and IPA transcriptions of songs and arias in Latin, Italian, German, and French in PDF format. 7 Shazams. Sassy! Palabra por palabra traducciones y transcripciones IPA de canciones y arias en latin, italiano, alemán y francés, en formato PDF. Word count: 94, This website began in 1995 as a personal project by Emily Ezust, who has Refrain Listen to Obradors: Mélodies populaires espagnoles by Corinne Sertillanges & Daniel Benzakoun on Apple Music. Con el vito, vito, vito, con el vito, vito, va. Lyrics for top songs by Fernando Obradors. La guitarra sin prima Aquel sombrero de monte Polo del contrabandista El vito First Pub lication. Her body language was great as well. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . I can really hear the inspiration from the guitar. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. The rhythmic impulse in this piece is absolutely driving and unrelenting. An arrangement for guitar and castanets.Embrujo Mestizo performs "El Vito". OVERVIEW. Get up to 3 months free. No me mires a la cara que me pongo colorá Yo no quiero que me mires que me vas a enamorar. Con el Vito va. ¡Ay, ay, ay! chiquilla, que me voy desmoroná.] The Links and Labels below should be helpful in finding what you are looking for. The introduction reminds me of Albeniz's Leyenda. 1941 Librettist Traditional Language Spanish Add lyrics. It kind of feels not quite finished even though the way the pianist played the final chords would indicate an end. To learn more, see our Privacy Policy. LOVE THE PIANO! Then there is a break in the dance again when the piano has its little interlude. What a sensual piece. Beautifully rhythmic. That is when the dance really begins. How exciting when the images are so clear from listening to a piece. Very subtle and a fantastic final note from her. ... Sign in Sign up. Refrain Single women are made of gold Married ladies are made of silver The widows are made of copper And the old ladies, of tin. The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text. I love this song in her interpretation (oh, yes - the true is that I love EVERYTHING in her interpretation) This piece is really wonderful, but not me first I heard with her. Montserrat Caballé Pop. Love the song, love the text, love Berganza. was energized yet grounded and confident. El Vito (4 sheet music) Added by eythor-thorlaksson the 2006-04-21: 2 comments. We use cookies for internal analytics and to earn much-needed advertising revenue. Lyrics for El Vito by Fernando Jaumandreu Obradors feat. The first topic was The Music of Spain and South America. Need to say it again: Love Berganza!!!!! You have these lithe and bouncing stacatti sections that serve as the buildup to the larger, sweeping melodic figures, giving the entire piece a sense of tension and release. Listen to El Vito from Fernando Obradors's Habanera for free, and see the artwork, lyrics and similar artists. [author's text not yet checked against a primary source]. It looks so fun to perform. Maria Amiradis, El Vito, München, Spanische Nacht Olympiapark München - Fernando Obradors Add lyrics. I love this piece and have Sierra's sparkling eyes in mind as I was listening. Add lyrics. It is such an effective performance. Berganza sings it with so much color and vibrancy! Images of Poland, Czech Republic and Hungary, "Sevillanas del Siglo XVIII" by Federico Garcia Lorca, "En el Cafe de Chinitas" by Federico Garcia Lorca, Arthur Rubenstein in de Falla's "Ritual Fire Dance", "Cancion del arbol del olvido" by Ginastera. This blog was created to provide a place to discuss the music and texts of vocal performances of various styles and languages. The piano prelude made me think of Lara's Granada. I really love the rhythmic qualifies in the piano, and how they are mirrored in the vocal line. The rhythmic intensity paired with the ease and improvisatory nature of this song create an atmosphere of unpredictability. Stream songs including "Canciones clasicas espagnolas - Recueil I: I. Tres Morillas", "Canciones clasicas espagnolas - Recueil I: II. [No me mires¡ ay! PLAY FULL SONG. LyricsEl Vito Fernando Jaumandreu Obradors, Jens Lindemann. I love this piece!!! The piano part somehow reminds me of Falla's "Polo" (the repeated notes). Your help is greatly appreciated! Underlying the melody is a sense of danger, and I love how Berganza draws the listener in. From the "no, no" to the fiesty "Ay!" found Period: Romantic: Piece Style Romantic: Instrumentation voice, guitar (arranged) How thrilling it must have been to see Berganza perform in person! ITD 37 Librettist Unknown Language Spanish Composer Time Period Comp. Obradors, Fernando: I-Catalogue Number I-Cat. Somehow Theresa Berganza sings this with a sense of relaxed ease, you can see it in her body and hear it in her voice.

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